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โพสต์โดย Williamka » อังคาร ก.ย. 13, 2016 6:27 pm

'Avatar' Director James Cameron Interviewed

James Cameron was working as a driver in 1977 as he quit his job and, in his words, "started making little films."

Those "little films" got the eye someone doing work for Roger Corman, producer and director known as the "King from the Bs" as in B movies. Corman, who's over 100 low quality films to his credit, including Little Shop of Horrors, Attack with the Giant Leeches and Last Woman on this planet, taught Cameron the basics of developing effects with very little money lessons that Cameron then applied to his blockbusters Titanic and Avatar.

"What you learn in those early films that the will is the only thing which makes the gap in getting the task done," Cameron tells Terry Gross. "It shows you to improvise and to never lose heart because you're making a film, and also the movie might be what you need it is . it is not in control of you, you are in control of it," he admits that.

"Even though visual effects are certainly not what we should use now there isn't any film, or glass painting," Cameron says, "the basics of storytelling don't change."

Avatar, Cameron's latest box office hit, was conceived from the mid '90s, years before the hi-tech effects and cameras Cameron employed to create his virtual world existed.

"Avatar develops from a childhood a sense think about nature and reading sci fi and imagining other worlds," says Cameron. "I spent my youth in the little town in Canada and spent all of my time in the woods, hunting snakes and frogs and doing drawings of protozoa."

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Lee DanielsThe film, the very first ever sold to gross greater than $2 billion worldwide, occurs for the fictional moon Pandora. The people of Pandora an imagined tribe called the Na'vi inhabit a lush, pristine jungle untouched by industrialization. When humans learn that the Na'vi live over a very valuable, uncommon natural resource they travel to the moon to mine the mineral, along with the film's main character, a paraplegic marine named Jake Sully, manipulates a genetically engineered human/Na'vi hybrid as an easy way of being familiar with the indigenous culture.

The film combines different genres the Western, the sci fi film, the war flick all of which, Cameron says, were consciously chosen.

"The Iraq stuff along with the Vietnam stuff perhaps there is by design and references towards the colonial period exist by design," says Cameron. "At an incredibly generalized level, it's saying our attitude about indigenous people and our entitlement about what is rightfully theirs is identical sense of entitlement that lets us bulldoze a forest rather than blink an eye fixed. It is just if we can go on it, we'll. And sometimes we all do it really naked and imperialistic way, as well as other times we do it in an exceedingly sophisticated way with lots of rationalization however it is fundamentally the same task. A feeling of entitlement. And we can't pandora charms clearance just go on in this unsustainable way, just taking what we should want and never giving back."

Cameron claims that Avatar can be another discuss "the huge gap or shortfall between what you could imagine precisely what it is possible to do."

"We move from this state as children where and we don't determine what we're not able to do. You fly with your dreams since a child, but you will not fly inside your dreams just as one adult," he says. "In the Avatar state, [Jake] gets revisit that childlike dream pandora clearance outlet state of doing delights . Inside a funny way, that it is kind of a discuss the way you find expression for your imagination."

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